Discussion about this post

User's avatar
Henrik Karlsson's avatar

I agree, Tom. Providing new ways of funding literary work is important, but there are incentives for Substack to push people toward a growth oriented perspective which is not aligned with deep work in writing. I've had to get creative to block them from showing me statistics etc so that I don't get nervous about things like that when I write. And for your calculator: I convert 3 percent which is pretty typical if you write intellectual essays, so I'm not about to get rich any time soon - but it makes a big differ on the margin when you have kids. Also, the people for whom the work is so valuable that they want to support it - that filters for very interesting people. So I feel happy about it, though it took a few months to figure out how to navigate the emotional pressures.

Michele Graaff's avatar

Interestingly, patronage – the act of a creator being supported by donors – is embedded in the history of writing (and painting, and sculpting and…) Yet, an industrialized, “boot-strap” society has effectively demoted writers as some less-than contributor to a culture. Thus, asking to be valued (paid) for the work makes us an “asshole.” (Funny thing: I know a lot of assholes that get paid a lot of money for doing meaningless things.)

What we avid readers and writers understand is that writing *is* culture. It defines, sheds light, shapes, reshapes, and has the power to uplift humanity. Writers deserve to be valued. Writers doing good, engaging work deserve to be paid. Period. It’s a hard-scrabble life if one isn’t using craft as a hobby. Fat-cash debut novels and high-paying essay gigs are rare. Most writers detest self-promotion, yet it’s a necessary evil of the career writer. So, every small amount earned by true working writers matters. Substack allows a measure of ownership of one’s value, even if the platform is imperfect. The challenge is, as you note, staying true to one’s craft and intention.

Ultimately, no amount of flashy headlines or top-10 lists can compensate for “bad” (uninspired, uninteresting) work. But those strategies may help good writers navigate this contradictory (capitalistic) publishing landscape. As the great (fully-funded) Shakespeare wrote: “Ay, there’s the rub.”

493 more comments...

No posts

Ready for more?